Review of the anime "Weather Child"

The director tries to discern regularity in the chaos of nature, taking the happiness of two lovers as his attractor and putting him over the seemingly obvious choice in favor of the abstract common good. The “Child of the Weather” finale once again emphasizes that all our actions have consequences, but not all is the result of only our actions.

Makoto Shinkai is rightly considered to be a visually oriented author. His animation state is still able to amaze and excite. For more than 12 years, he has no equal in the detailed work with light and the image of the environment. "Child of the weather" is no exception.

Problems begin in the expected places - the director’s strengths migrate from project to project along with his usual weaknesses. The Tenki no Ko script is still abusing a voiceover. Of course, the point is not in the instrument of cinema language itself, but in how to use it. If at “5 centimeters per second” the voice-over was absolutely organic, then it appears to voice even obvious things.

The pace is somewhat slower than the previous director's work (it seems that this year everyone put off the rush in storytelling to hell). Thanks to this, Shinkai manages to almost completely get rid of the smack of “studio” that exists in “Children Who Chase the Stars” and “Your Name”. The synopsis of “Child of the Weather” itself envisioned an unprecedented scale. But the director remains true to himself, returning to history the intimacy of the “Garden of Words” and “5 centimeters per second”.

Scenic shortcomings are compensated by the soundtrack from RADWIMPS, which adds visuals even more lift, and the director’s ability to manipulate emotions. After all, Shinkai is a master to deplete the viewer with a series of failures that the heroes are experiencing, in order to then give a quiet moment of relief. “5 centimeters per second” tormented us with unbearable transfers from train to train and their endless stops to finally give a pleasant meeting. Also, the heroes of “Child of the Weather” roam the snowy streets for a long time. Tokyo seeks refuge in the end to get a little peace, family warmth and this simple “let everything remain as it is.” It is amazing how an anime can be so fantastic and so down to earth at the same time.

Intentionally or unintentionally, Makoto Shinkai takes a few steps back to calm the excessive excitement created by the uncontrolled power around the anime “Your Name”. “Child of the Weather” does not make extraordinary breakthroughs, does not try to surpass previous work, accumulate scale, or change the status of Shinkai in the cinema. Just one of the best authors in the history of anime more than once undertakes to hone his favorite topic to perfection. online casino real money nz